Who Said Sports Photography Not Artistically?
If you are asked, who is a good journalistic photographer who you know, there may be only a handful of names that came out. Name Arbain Rambey & Oscar Motuloh surely dominate. Indeed these two names already proven his talent in the world of journalistic photography. But is it true that only two people whose work just fine? Fortunately not. Is Chandra Amin, a photographer who works for tabloid journalism Ball who fall into our calculation. Chandra Amin was not as famous as the big names above, but if you look at the results of his work, we’ll bet you would be shaking his head.
We also have the honor to be able to met and chatted with Chandra amin at his home in numbers Center of Jakarta. Chandra Amin was a journalistic photographer especially sports a simple, humble but not his works that simple demeanor. He considered photography as a universal one, no-boxed pengkotak rigidly. If in the end he chose to become sports photographer, of course, it’s just purely professional choice. In pursue photography, he chose to combine all kinds of specializations in the photograph. “I can study fashion, studying human interest, learn a sport, and when the combine results can be very satisfying. “So said. This capability makes trusted to do a photo shoot for the treatment Marshanda profile fashion background despite his profession is a sports photographer.
Amin Chandra admitted to study it instead of the photographer‘s lighting, but from Monot, a camera person who worked with Garin Nugroho in the movie “DAUN DI ATAS BANTAL”. No wonder if he chose to shoot Marshanda with continuous light as is often used by people broadcasting. In addition to doing his job as a sports photographer, Chandra Amin also often idealistic project. “A sports photographer also claimed to have idealistic project. The advantage is not for now, but later on, so that work could lo lo survive in the workplace.
Once he explained. Idealist projects outside of work this office also believed to be spirit inspiration to work at once became much better. “When the clay something to touch, I moved to photography. For example clay street children. “He added. To do this shoot against children streets sport photography, Amin Chandra deep approach to children these streets. Although every day when I meet these kids she always took camera, but the new last days she took them out and use it only to photograph them. While the day – the early days he was just making an approach. “Because the approach a week already, they’ve no longer awkward surprise and clay.
My camera, my portrait photography. And photo can take very natural. “Light of photographers who had been This taekwondo athletes. Another thing that is also occasionally performed by Chandra Amin was photographing the wedding, although the new limited group of close friends only. For any wedding photograph Amin Chandra combine the grip-grip usually applied in wedding photography with a journalistic grip-grip, so that gasil gained more fresh. Most of the shooting that he was doing was just relies on simple equipment. Lights used were mostly a regular flash camera is paired in the body. Talking about sports photography, he argues that not only sports photos should capture the moment, expression from the pemani also certainly could be something of interest whether expression of victory, defeat, sorrow, pleasure and so forth. Things that make sports photography more interesting to him is because of moments in the sport only last moment, different from photographing in a studio haridimana we can repeat the poses and scenes we want. Therefore, the concentration and preparedness is very much needed.
